Chris Gollon: Stations of the Cross
In 2000 Gollon was commissioned to paint 14 Stations of the Cross for the Church of St John on Bethnal Green, a grade one listed building designed by Sir John Soane. This was one of the largest commissions by the Church of England in recent times. Although previously Gollon was not best known for his religious work, the Rector Alan Green explained, "The church of St John on Bethnal Green has had a long-standing involvement with people on the fringes of our society, the sort of people who often figure in Chris' paintings.
Alice Sielle: Stations of the Cross
Small scale linocuts sympathetically framed and placed at regular intervals around the church.
Alice Sielle (b. 1950, British) is predominantly an abstract painter with a wide range of influences from Barnet Newman to Piero della Francesca.
Ecclesiart is an online project that raises awareness of significant works of modern and contemporary art since 1920 in UK churches and cathedrals.
The selected works represent the diversity of high quality church commissions and reflect developments in artistic practice and ecclesiastical art and design. You can explore the collection using the tiles below or by using the Ecclesiart map.
We seek to encourage increased responsibility towards works which may be under-appreciated or at risk and hope that this selection of works provides inspiring and challenging examples of art in churches useful to any parish or individual wishing to commission a new work.
We welcome nominations of new works to be added to Ecclesiart. Please email us with a short text about why you think a work of art should be included with a short theological reflection on the work and its context (no longer than 150 words) and if possible please include images. Please note that we do not accept nominations from artists for their own work.
All permanent works shortlisted for the Award for Art in a Religious Context are added to Ecclesiart. For all other nominations, the Director and trustees of Art and Christianity reserve the right to select works which they determine as meeting the criteria of aptness to context, artistic and technical merit and appropriate theological meaning.