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Event Tickets
Friday 18 September, 6.45pm, St George’s Colegate, St George’s St, Norwich NR3 1DA
Vida Vojić invokes the spirit of Saint Hildegard, by singing her medieval chants accompanied by the glass harp, subtle electronics, spatial feedback and light design, in delicate response to the liturgical season. Hildegard of Bingen was a prophetic Benedictine abbess and polymath during the 12th century Roman Germany, active as a music composer, preacher, writer, theologian, artist, playwright, herbal scientist, cosmologist and mystic.
Image by Olga Androsova
Cards
Please contact mail@artandchristianity.org if you would like to order from outside the UK.
A pack of Playing Cards of the 52 churches in the City of London built by the office of Sir Christopher Wren for Wren 300. The original images of the churches are papercuts designed by Chloe Campbell. Temple Bar and the Monument are the Jokers in the pack.
Sixth (Blue) and Seventh (Red) Edition
52 Playing Cards / 2 Jokers
Poker (63 x 88mm) with 3mm radius corners.
Heretic 310gsm Smooth Black Cored Playing Card Board
Tuck Box - Poker Size (63 x 88mm)
The playing cards have the same face on the cards and printed on the back of the playing cards a Red design of St Paul’s Cathedral for the Sixth Edition and a Blue design of St Paul’s Cathedral for the Seventh Edition.
About the Playing Cards
The First Edition of Wren 300 Playing Cards sold out at the Private View of Chloe Campbell and James Newton’s exhibition Wren on Paper. The playing cards are designed from papercuts which Chloe has drawn and cut out by by hand using a scalpel. She has used resources from London Metropolitan Archives and the Friends of the City Churches for the 19 churches that no longer exist and for St Mary Aldermanbury that was taken down and rebuilt in Fulton, Missouri, USA.
Publications
Please contact mail@artandchristianity.org if you would like to order from outside the UK.
By Alec Hamilton
Winner of the Art+Christianity Book Award 2021 and of the SAHGB's Colvin Prize 2021
Lavishly illustrated, it discusses more than 200 Arts & Crafts churches built mostly between 1884 and 1918, and lists a further 350 that reflect Arts & Crafts aesthetics and ideas.
Analyses the artistic, social and political context in which these churches were designed and built
Pages: 352
Publisher: Lund Humphries Publishers Ltd
Publication Date: 24th September 2020
Trim Size: 190 x 250 mm
Illustrations Note: Includes 250 colour illustrations
ISBN: 9781848223219
From hydroponically grown vines to traditional oil painting, contemporary artists are making a visible and profound impact on British churches today. This volume seeks to understand the impetus for such a resurgence and unpacks some of the practical, theological and aesthetic issues within it.
Edited by Laura Moffatt and Eileen Daly.
ISBN 978-0-9551485-1-4
OUT OF STOCK
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Back issues of the Journal
Please contact mail@artandchristianity.org if you would like to order from outside the UK.
Feature
The A+C Awards: judges’ citations
Bryan Biggs and Chine McDonald
Exhibition reviews
Shahana Rajani: Lines that World a River
Dala Nasser: Cemetery of Martyrs
by Christopher J Thornhill
Frank Bowling: Seeking the Sublime
by Spencer Hornsby
Tracey Emin: A Second Life
by Martin Kinnear
David Somerville: Stations of the Cross
by Fitzroy Schofield
Sarah Lightman: Biblical Women Ageing Disgracefully
by Sarah Parkhouse
Book reviews
Henri Matisse: Stations of the Cross
by Charles Miller
Art-Making as Spiritual Practive: Rituals of Embodied Understanding
eds Lexi Eikelboom and David Newheiser
by Sarah White
Reflection
Artist-in-residence, Julian of Norwich Shrine by Debra Shipley
Obituary
Richard Harries 1936 – 2026
by Rowan Williams
Feature
The Elusive Spirituality of Craigie Aitchisonby Richard Dormandy
Interview
With Don Gianmatteo Caputo by Oddbjørn Sørmoen
Exhibition reviews
Claire Tabouret: In a Single Breath
by Inge Linder-Gaillard
Suzanne Treister: Prophetic Dreaming
by Hannah Hempstead
Ming Wong: Dance of the Sun on Water
by Fitzroy Schofield
Design review
The Empty Chair Design Award
by Waithera Sebatindira
Film review
Quest for Beauty: The Life and Art of William Schickel, dir. David Whitaker
by Joseph Masheck
Book review
Converts by Melanie McDough
by Tessa Murdoch
Event report
The 2025 A+C Annual Retreat Weekend
by Roland Jeffery
The A+C Awards 2025/6: entrant lists
Feature
‘And they were terrified’: A Sonic Dada Nativity (1916/2025)
Deborah Lewer
Exhibition reviews
Fra Angelico
by Paul Hills
Emily Kam Kngwarray
by Jane Petkovic
Allan Rohan Crite: Urban Glory
by Sarah Adegbite
Gilbert & George: 21st Century Pictures
by Charles Pickstone
‘Hear Us’
Jon Marlow
Book reviews
The T&T Clark Handbook of Theology and the Arts eds. Stephen M Garrett and Imogen Adkins
Wes Vander Lugt
Gospel as Work of Art by David Brown
Sara Schumacher
Feature
sixty beats per minute
by Christopher Hamilton
Exhibition reviews
Magna Carta and the North
by Jane Heath 6
Mainie Jellett and Evie Hone: The Art of Friendship
by Orla O’Byrne 7
Living Water
by Susan Francis 9
Slipping the Veil
by Steve Malies 10
H3H Biennial: A Deeper Shade of Soul
by Lieke Wijnia 12
Believers: Artists and the Shakers
by Sarah Adegbite 14
Book reviews
The Invisibility of Contemporary Art in Religion by Jonathan A Anderson
Joseph Masheck 16
Architecture
Dom Hans van der Laan
by CM Howell
Features
Drawing the Unspeakable
by Elizabeth Cook
Conservation work in Anglican Churches
by Tracy Manning
Exhibition reviews
Siena: the rise of painting 1300-1350
by Paul Hills
Gothic Modern
by Oddbjørn Sørmoen
Book reviews
The Bible in Photography
by Sheona Beaumont
Siobhán Jolley
Makers by Nature
by Bruce Herman
Isaiah Morris
Unmaking Mary
by Chine McDonald
Maryanne Saunders
Commissioning
Processional cross and acolyte candlesticks for the Metropolitan Cathedral of Christ the King, Liverpool
by Rauni Higson
Features
Renewing Notre-Dame de Paris
Mark Osborne
The Belarusian Memorial Church
Joe Watson
Exhibition reviews
Ithell Colquhoun: Between Worlds
by Holly Slingsby
Lara Smithson: A Ribbon Unfurling
by Rob Hawkins
Louise Giovanelli: A Song of Ascents
by Richard Davey
In Attendance
by Camilla Cañellas
Book reviews
William Butterfield and his times, Nicholas Olsberg
by Kenneth Powell
Letter to an Artist, John Dennison
by Nigel Halliday
The Oxford History of British and Irish Catholicism, 1529–2021, vols 4&5
eds James E Kelly and John McCafferty
by Roderick O’Donnell
Attunement: The Art and Politics of Feminist Theology, Natalie Carnes
by Ayla Lepine
Event report
Jubilee of Artists, Rome
by Josephine Warren
Features
Letter from Stockholm
Daniel A Siedell
Memories and lives
Alice Kinghorn
Exhibition reviews
Delcy Morelos: Profundis
by Michael Kurtz
Portia Zvavahera: Zvakazarurwa
by Rachel Coombes
Krien Clevis: Dutch Churches in Transition
by Lieke Wijnia
William Morris and Art from the Islamic World
by Hassan Vawda
Book reviews
Theology, Modernity and the Visual Arts eds Ben Quash and Chloë Reddaway
by Deborah Lewer 16
The Oxford History of British and Irish Catholicism, 1529–2021, vols 1–3
eds James E Kelly and John McCafferty
by Roderick O’Donnell
Film review
Mother Vera, dir. Cécile Embleton and Alys Tomlinson
by Christopher Irvine
Features
Vessel: an art trail in remote rural churches
an essay by Jacquiline Creswell
Interview
Richard Kenton Webb
by Jonathan Evens
Exhibition reviews
Anish Kapoor
by Emma Roberts
Michael Petry, In League with Devils
by Maryanne Saunders
Mysterious Ways: Art, faith and transcendence
by Orla Byrne
Event review
Ritual/Bodies
by Charles Pickstone
Book reviews
The Spiritual Adventure of Henri Matisse by Charles Miller
Inge Linder-Gaillard
Art in Churches
Re-siting works of art by Laura Moffatt
Features
Andrea Buttner
interviewed by Joost Joustra
Exhibition reviews
Matthew Krishanu at Camden Art Centre
by Paul Hills
Caspar David Friedrich at the Alte Nationalgalerie Berlin
by Jonathan Koestle-Cate
Sean Henry at Ely Cathedral
by Rob Hawkins
Book reviews
The Religious Architecture of Alvar, Aino and Elissa Aalto
by Sofia Singler
Sacred Modernity by Jamie MacGregor Smith
Rey Conquer
Shaping the Assembly
Ed. Thomas O’Loughlin
Peter Doll
Imagination in the Age of Crisis
eds Jason Goroncy and Rod Pattinson
Sarah Adegbite
Spotlight on art
Victoria Tischler sheds light on the remarkable paintings of Mary Barnes
Features
The Chichester Workshop
by Daniel Inman
In the Light of Faith
by Susannah Rose Morgan
Interview
Sokari Douglas Camp
by Novelette Stewart
Event report
Fluid Body by Jonathan Koestlé-Cate
Exhibition reviews
Elisabeth Frink: A View from Within at Dorchester Museum and Art Gallery
by Rey Conquer
Soulscapes at Dulwich Picture Gallery
by Waithera Sebatindira
Book reviews
The Nun’s Cell as Mirror, Memoir, and Metaphor in Convent Life
by Donna L. Sadler
Claire Gilbert
John Ruskin the Pre-Raphaelites, and Religious Imagination eds Sheona Beaumont and Madeleine Emerald Thiele
Elisabeth Jay
Faith in Art by Joseph Masheck
Andrew Bick
Feature
C M Howells celebrates Egon Altdorf
Commission
Cugoano250: Che Lovelace at St James’s Piccadilly
by Waithera Sebantindira
Exhibition reviews
Black Atlantic
by Sarah Adegbite
Meredith Monk and The Faith Museum
by Laura Moffatt
Living Memory
by Rui Cepeda
Peter Howson and Grayson Perry
by David Brown
Book reviews
Religion and Contemporary Art eds Ronald R Bernier and Rachel Hostetter Smith
Ayla Lepine
Fashion Theology by Robert Covolo
Katherine Ellis
Mary Magdalene: A Visual History by Diane Apostolos-Cappadona
Nina Danino
The Artist as Divine Symbol by Adam Edward Carnehl
David Jasper
Feature
Witness and presence: the paintings of Zurburán at Auckland Castle
by Paul W Gooch
A room set apart: creating sacred space for a prison chaplaincy
by Sophie Hacker
Exhibition reviews
Hill-Rhythms: David Jones + Capel-y-ffin
by Hilary Davies
Liverpool Biennial: uMoya
by Ed Williams
EVEWRIGHT: Libation
by Moriah Ogunbiyi
Reflection
Julian Stair: Art, Death and the Afterlife
by Roz Barr
Book reviews
Photography and Belief by David Levi Strauss
Joseph Masheck
Event report
In Search of the Miraculous
by Laura Moffatt
Letter from Rochester
Naomi Billingsley
Feature
Paula Rego: art, Catholicism, and the female gaze
by Tina Beattie
Exhibition reviews
Garry Fabian Miller
by Sheona Beaumont
Tartan
by Deborah Lewer
With Passion
by Rey Conquer
St Francis of Assisi
by Charles Pickstone
Reflection
Poor Things
by Philip Blackledge
Book reviews
Sacred Images and Normativity
ed Chiara Franceschini
by Fran Hughes
Painted Temples: Wallpaintings and Rood Screens in Welsh Churches, 1200-1800, Richard Suggett with Anthony J Parkinson and Jane Rutherfoord
by Lucy Wrapson
Transforming the Church Interior in Renaissance Florence, Joanne Allen
by Peter Doll
Spotlight on art
Andres Serrano’s Piss Christ NFT
by Yoli Terziyska
Artist profile
Jesse Darling
by Richard Parry
Feature
Donatello at the V&A
Paul Hills
Exhibition reviews
Magdalena Abakanowicz at Tate Modern
Jonathan Koestlé-Cate
Barbara Hepworth at Tate St Ives
Rob Hawkins
Enslavement: Voices from the Archives at Lambeth Palace Library
Renie Chow Choy
Zadie Xa at Whitechapel Art Gallery
Grace Connolly Linden
Book review
Image as Theology, eds C A Strine, Mark McInroy, Alexis Torrance
John Munns
Artist Profile
Marc Padeu
by Anne Abouchar
Letter from Utrecht
by Lieke Wijnia
Commissioning
Candlestick of Reconciliation, by Michael Lloyd
Anonymous
Obituary
Ralph Peterson, 1932 – 2022
by Aaron Rosen
Feature
Concerning Queenship by Susanna Avery-Quash
Exhibition reviews
Carolee Schneemann; Marina Abramović; Trangressive Devotion by Natalie Wigg-Stevenson
by Rey Conquer
Hollow Earth
by Chris Thornhill
Keith Roberts
by Molly Kady
Spotlight on Art
Der Krieg (War), 1929-32 by Otto Dix
Deborah Lewer
Polemic
Rothko redeemed
Charles Pickstone
Commissioning
The Windows of Light
by Thomas Denny
Chloë Reddaway
Collections
J L Petit: the ‘Remarks’ drawings
Philip Modiano
Obituary
Brian Catling, 1948 – 2022
Mark Dean
Interview
Samson Kambalu talks to Ayla Lepine
Exhibition reviews
Tudors: Passion, Power and Politics
by Christina J Faraday
Feminine Power: the divine to the demonic
by Maryanne Saunders
Together we rise
by Susan Francis
Glass Exchange
by Lucy Newman Cleeve
Book review
Christian Art and African Modernity
Eds John Picton and Nicholas J Bridger
by David Bagnall
Spotlight on Art
Cornelia Parker, Thirty Pieces of Silver, 1988-89
Christine E Joynes
Commissioning
St Gabriel by Marcus Cornish
Hilary Davies
Hanging Rood by Charles Gurrey
Charles Gurrey
Feature
Anna Svendsen on David Jones’ Vexilla Regis
Exhibition reviews
Carlo Crivelli: Shadows on the Sky
by Nicholas W S Cranfield
Prafulla Mohanti: Full Circle
by Hassan Vawda
Jacob Epstein: Stories in Stone
by Rob Hawkins
Jananne Al-Ani: Timelines/Bringing to Light
by Natasha Morris
Venice Biennale: The Milk of Dreams
by Charles Pickstone
Spotlight on Art
Victorian Pottery Religious Figures by Stephen Duckworth
Tributes
Richard McLaren 1946 – 2022
by Kenneth Carlisle and Laura Moffatt
Interview
Word as Flesh: Jeremy Akerman interviews Dorothy Cross
Exhibition reviews
Anne Petters: Lichtung – Break / Lichtung – White Drift
by Lucy Newman Cleeve
Derek Jarman: Protest! and Derek Jarman’s Modern Nature
by Rey Conquer
Sensing the Unseen: Step into Gossaert’s Adoration
by Stephen Tucker
Book reviews
The Italian Renaissance Altarpiece by David Ekserdjian
Joost Joustra
Letter from Hrastovlje
David Lillington
A+C Book Award judges’ report
Richard Harries
Obituary
Patrick Reyntiens 1925 – 2021
by Frances Spalding
Features:
Invention and Observation: the art of Albrecht Dürer
by Rey Conquer
Interview:
Art and the Religious Imagination:
Deborah Lewer with Rowan Williams
Exhibition reviews
Theaster Gates: A Clay Sermon
by Victoria Burgher
Mary Magdalene
by Tijana Zakula
Gardner & Gardner: I will learn to sit with you and I will learn to listen
by Carol Marples
Helen Frankenthaler: Radical Beauty
by Charles Pickstone
Book reviews
Transforming Christian Thought in the Visual Arts, eds Sheona Beaumont and Madeleine Emerald Thiele
David Jasper
Feature:
Sharman Kadish at the new Manchester Jewish Museum
Exhibition reviews:
Christopher Irvine on ‘John Nash: The Landscape of Love and Solace’
Moriah Ogunbiyi on ‘An Ode to Afrousurrealism’
Book reviews
Laura Moffatt on F X Velarde by Dominic Wilkinson and Andrew Crompton
William Whyte on Modern Architecture and the Sacreds eds Ross Anderson and Maximilian Sterberg
A+C Projects
‘Call to Holy Ground’ by Rina Arya
Acquisition
Jasmine Allen on Saint Adelaide by Kehinde Wiley
Art in Churches
Emma Rose Barber on Has Feibusch at St Boniface
Spotlight on art
Lucinda May on The Lover by Kristina Buch
Interview
Jeremy Akerman talks to the painter Paul Winstanley
Exhibition review
Deborah Lewer on Michael Triegel at Kunsthalle Rostock
Book reviews
Kirstin Kennedy on Memory and the Reformation eds Alexandra Walsham, Bronwyn Wallace, Ceri Law nad Brian Cummings
Richard S Vosko on Art and Theology in Ecumenical Perspective ed Timothy Verdon
Joseph Masheck on Angels and Saints by Eliot Weinberger
Spotlight on art
Andrew Hammond on Northwest Drift by Mark Tobey
Reflection
‘Life is a complicated matter’ an extract from the Hulsean Sermon given by Ayla Lepine
Feature
The Word in Form
The art historian Stephen Bann looks back over fifty years of making connections between words and forms, places and their associations.
Editorial
Laura Moffatt
Exhibition reviews
Anna Moszynska on ‘Spirit and Endeavour’ at Salisbury Cathedral
Books reviews
Diana Coulter on The Life and Work of Richard King: Religion, Nationalism and Modernism by Ruth Sheehy
Ayla Lepine on Grace and Gravity: Architectures of the Figure by Lars Spuybroek
Sheona Beaumont on The Figure of Christ in Contemporary Photography by Nathalie Dietschy
Spotlight on art
Jonathan Koestlé-Cate revisits Johannes Schreiter’s scheme of windows for the Medical Library, Whitechapel
Features
A Jewish Jesus: Monica Bohm Duchen explores Christian imagery in the work of Jewish artists
Project report
Laura Moffatt outlines A+C’s recent interfaith curating project, A Call to Holy Ground
Editorial
Charles Pickstone
Exhibition reviews
Mark Dean on ‘Bruce Nauman’ at Tate Modern
Ann Haughton and Ellen Rowlands on ‘Cranach: Artist and Innovator’ at Compton Verney
Books reviews
Jitske Jasperse on Body Language by Wendelien van Welie-Vink
Peter Doll on The Notion of Liminality and the Medieval Sacred Space, eds Klara Dolezalova and Ivan Foletti
Interview
Alice Christie talks to the architect Steve Wilkinson of James Gorst Architects
Holy Ground
Details of the Winter programme
Features
Ayla Lepine on art, Christianity and the Black Lives Matter movement
Catsou Roberts and Julia Porter-Pryce on art and health
Artist Profile
Hilary Davies on the sculptor Paul Kincaid
Exhibition review
Novelette Aldoni-Stewart on ‘The Stars are Bright’ at Theatre Courtyard Green Rooms
Book reviews
George Pattison on Sin: The Art of Transgression by Joost Joustra
Roly Riem on Seeing God in Art by Richard Harries
Online content
Taylor Curry looks at art and religion under lockdown
Polemic
Lucy Gent on the needle of God and the needle of nature
Project review
Rebecca Gill on Virtual Veronese at the National Gallery
Features
Deborah Lewer on art, faith and fear
The painter Elizabeth Magill interviewed by Jeremy Akerman
Susan Francis on curating dissent, art in the community
Book reviews
Lucy Newman Cleeve on Brushes with Faith by Aaron Rosen
Frances Spalding on Evelyn Dunbar by Christopher Campbell-Howes
Project review
The Visual Commentary on Scripture by Christopher Irvine
Features
Staging the Sacrifice: Rowan Williams explores the Eucharist in image and metaphor
The Wall and the Fall: art, politics and theology by Charles Pickstone
Exhibition reviews
Hilary Davies on ‘Disruption, Devotion and Distributism’ at Ditchling Museum of Art + Craft
Jonathan Koestlé-Cate on Pierre Soulages at Musée du Louvre
Book reviews
Inge Linder-Gaillard reviews Architecture et arts sacré de 1945 Á jours by Christine Blanchet and Pierre Várot
Graham Howes reviews Gothic Sculpture by Paul Binski
Exhibition round up
Laura Moffatt
ACE Archive report
Members’ event report
Susan Francis
Features
Historic present: highlights of the last 25 years
Future dialogues: looking ahead
Soul searching: Novelette-Aldoni Stewart on iconography in Black contemporary art
A+C Awards: winners announced
Art and religion: international views from Rod Pattenden (AUS), Wilson Yates (USA) and Fanny Drugeon (France)
Exhibition review
Naomi Billingsley on ‘William Blake’ at Tate Britain
Nicholas W S Cranfield on ‘Rembrand’s Light’ at Dulwich Picture Gallery
Inge Linder-Gaillard on Anselm Kiefer at La Tourette
Features
Thomas Crow gauges the depth of theology in art
Jeremy Akerman interviews the painter George Shaw
Exhibition review
Jonathan A Anderson on ‘Fragments of a Crucifixion’
Deborah Lewer on ‘Mat Collishaw: The Nerve Rack’
Ann Sumner on ‘Sculpt: Art in the Churches‘
Catherine Taylor on ‘Mira Calix: sihlabelela’
Book reviews
100 Years 100 Churches Eds Susannah Charlton, Elain Harwood and Clare Price reviewed by Phil Baines
Features
Francis O’Gorman takes stock of the bicentenary of Ruskin’s birth
Jonatan Habib Engqvist on the life and future of Lund Cathedral
Exhibition review
Sybilla Gbadamosi Wood on ‘Magdalene Odundo: the Journey of Things’
Book reviews
Architecture and Theology by Murray Rae reviewed by Christopher Irvine
The Visionary Art of William Blake by Naomi Billingsley reviewed by Natasha O’Hear
Artist Interview
Bettina Furnée with Laura Purseglove
Artist Profile
Jan Gould examines the life and work of Frank Roper
Letter from Orkney
Tom Miller
In 2004, Rev Brian Ralph commissioned Alice Sielle to make a set of the Stations of the Cross for St Barnabas, Bethnal Green. The images have now been reproduced in their actual size and made into a hardback book. 2021
Hard back book 12x12”, 30x30cm with 14 lino prints by Alice Sielle and an introduction by Rev Brian Ralph.
Depth 12mm. Weight 700g.
Available to collect at our A+C office.
All proceeds from the sale of this book go to A+C with thanks to Alice Sielle for generously donating these books.