A&C Journal issue 47
Tom Devonshire Jones’ Valedictory Editorial
Matt Stokes interviewed
Round churches by Nigel Foxell
Artists’ writings
Christine Watson
Jean Lamb on her Cross for England
The artist priest
City of London Festival
Yoko Ono: Morning Beams for the City of London at St Paul’s Cathedral
Makato Fujimura: Making Peace, Ground Zero meditations on the nature of reconciliation
Project report
Six sacred sites by Sophie Hacker
Exhibition Reviews
Kandinsky: The Path to Abstraction 1908-22 by Meryl Doney
Lucy Sheridan Ready or not, here I come by Terry Mart
John Constable The Great Landscapes by Stephen Laird
Word into Art by Saeed Taji Farouky
Sacred Iconography: A Living Tradition by Roy Exley
Charlie Millar All Flesh is Grass by Michael Wimshurst
George Jack (1855-1931) Architect and Designer-Craftsman by Jonathan Evens
Book reviews
Heather Pulliam, Word and Image in the Book of Kells by Nicholas W S Cranfield
Frances Spalding, The Bloomsbury Group by Graham Howes
Rachel Barker: Spirited Arts: Exploring and Expressing Art in Primary RE by Gail Stephens Tuffee
Brent S Plate, Re-viewing the passion: Mel Gibson’s Film and its Critics by John Methuen
Roger Lipsey, Angelic Mistakes: the art of Thomas Merton by Jospeh Mascheck
A Fresco for Rochester by Peter Judd
Short notes
Tom Devonshire Jones’ Valedictory Editorial
Matt Stokes interviewed
Round churches by Nigel Foxell
Artists’ writings
Christine Watson
Jean Lamb on her Cross for England
The artist priest
City of London Festival
Yoko Ono: Morning Beams for the City of London at St Paul’s Cathedral
Makato Fujimura: Making Peace, Ground Zero meditations on the nature of reconciliation
Project report
Six sacred sites by Sophie Hacker
Exhibition Reviews
Kandinsky: The Path to Abstraction 1908-22 by Meryl Doney
Lucy Sheridan Ready or not, here I come by Terry Mart
John Constable The Great Landscapes by Stephen Laird
Word into Art by Saeed Taji Farouky
Sacred Iconography: A Living Tradition by Roy Exley
Charlie Millar All Flesh is Grass by Michael Wimshurst
George Jack (1855-1931) Architect and Designer-Craftsman by Jonathan Evens
Book reviews
Heather Pulliam, Word and Image in the Book of Kells by Nicholas W S Cranfield
Frances Spalding, The Bloomsbury Group by Graham Howes
Rachel Barker: Spirited Arts: Exploring and Expressing Art in Primary RE by Gail Stephens Tuffee
Brent S Plate, Re-viewing the passion: Mel Gibson’s Film and its Critics by John Methuen
Roger Lipsey, Angelic Mistakes: the art of Thomas Merton by Jospeh Mascheck
A Fresco for Rochester by Peter Judd
Short notes
Tom Devonshire Jones’ Valedictory Editorial
Matt Stokes interviewed
Round churches by Nigel Foxell
Artists’ writings
Christine Watson
Jean Lamb on her Cross for England
The artist priest
City of London Festival
Yoko Ono: Morning Beams for the City of London at St Paul’s Cathedral
Makato Fujimura: Making Peace, Ground Zero meditations on the nature of reconciliation
Project report
Six sacred sites by Sophie Hacker
Exhibition Reviews
Kandinsky: The Path to Abstraction 1908-22 by Meryl Doney
Lucy Sheridan Ready or not, here I come by Terry Mart
John Constable The Great Landscapes by Stephen Laird
Word into Art by Saeed Taji Farouky
Sacred Iconography: A Living Tradition by Roy Exley
Charlie Millar All Flesh is Grass by Michael Wimshurst
George Jack (1855-1931) Architect and Designer-Craftsman by Jonathan Evens
Book reviews
Heather Pulliam, Word and Image in the Book of Kells by Nicholas W S Cranfield
Frances Spalding, The Bloomsbury Group by Graham Howes
Rachel Barker: Spirited Arts: Exploring and Expressing Art in Primary RE by Gail Stephens Tuffee
Brent S Plate, Re-viewing the passion: Mel Gibson’s Film and its Critics by John Methuen
Roger Lipsey, Angelic Mistakes: the art of Thomas Merton by Jospeh Mascheck
A Fresco for Rochester by Peter Judd
Short notes
