William Mitchell: Stations of the Cross
The architectural sculptor William Mitchell was commissioned to make the Stations of the Cross for the new Clifton Cathedral, built 1969–73 to designs by Ronald Weeks in close collaboration with clergy and theological advisors. The concrete church, almost entirely monochrome and undecorated, is notable for the success of its integration of the ideas of the liturgical reform movements of the twentieth century, and its expression of the principles of the Second Vatican Council – a ‘sermon in concrete’, in the words of Nikolaus Pevsner.
Antonia Hockton: The River of Life reredos
Antonia Hockton's River of Life reredos at St Georges, Great Bromley, Essex adds greatly to the way the altar in the side chapel works. This was just what a parish church should be doing: engaging a local artist who explores the context and makee something new that flows into the altar and on to those who worship there, and although it may have seemed a lot to the parish, it was achieved relatively inexpensively.
Barbara Hepworth: Madonna and Child
Barbara Hepworth’s Madonna and Child was carved in memory of her son Paul who died in an RAF plane crash over Thailand in 1953.
Ecclesiart is an online project that raises awareness of significant works of modern and contemporary art since 1920 in UK churches and cathedrals.
The selected works represent the diversity of high quality church commissions and reflect developments in artistic practice and ecclesiastical art and design. You can explore the collection using the tiles below or by using the Ecclesiart map.
We seek to encourage increased responsibility towards works which may be under-appreciated or at risk and hope that this selection of works provides inspiring and challenging examples of art in churches useful to any parish or individual wishing to commission a new work.
We welcome nominations of new works to be added to Ecclesiart. Please email us with a short text about why you think a work of art should be included with a short theological reflection on the work and its context (no longer than 150 words) and if possible please include images. Please note that we do not accept nominations from artists for their own work.
All permanent works shortlisted for the Award for Art in a Religious Context are added to Ecclesiart. For all other nominations, the Director and trustees of Art and Christianity reserve the right to select works which they determine as meeting the criteria of aptness to context, artistic and technical merit and appropriate theological meaning.