A&C Journal issue 95
Features
Lucy Kent on Barbara Hepworth’s Construction (Crucifixion) and its return to Salisbury Cathedral
Polemic
James Hall at the Royal Academy on Michelangelo’s Taddei Tondo
Exhibition reviews
Jonathan Black on Aftermath at Tate Britain, Ann Plogsterth on Heavenly Bodies at The Met, Sheona Beaumont on Tacita Dean’s trilogy of Still Life, Portrait and Landscape, Martin Warner on Antony Gormley at Kettle’s Yard and Catherine Taylor on Nathan Coley in Norwich.
Theatre review
Rachel Huckstep on Red
Book reviews
Louise Campbell reviews 'Keith New' by Diana Coulter and Robert Smith; Kenneth Powell reviews 'Free Seats for All by Gill Hedley; Vivien Northcote reviews 'What did Jesus Look Like?' by Joan Carter, 'Eve's apple to the Last Supper' by C F Kaufmann and 'In the Beauty of Holiness by David Lyle Jeffrey; Bill Danaher reviews 'Beauty's Vineyard' by Kimberly Vrudny.
Features
Lucy Kent on Barbara Hepworth’s Construction (Crucifixion) and its return to Salisbury Cathedral
Polemic
James Hall at the Royal Academy on Michelangelo’s Taddei Tondo
Exhibition reviews
Jonathan Black on Aftermath at Tate Britain, Ann Plogsterth on Heavenly Bodies at The Met, Sheona Beaumont on Tacita Dean’s trilogy of Still Life, Portrait and Landscape, Martin Warner on Antony Gormley at Kettle’s Yard and Catherine Taylor on Nathan Coley in Norwich.
Theatre review
Rachel Huckstep on Red
Book reviews
Louise Campbell reviews 'Keith New' by Diana Coulter and Robert Smith; Kenneth Powell reviews 'Free Seats for All by Gill Hedley; Vivien Northcote reviews 'What did Jesus Look Like?' by Joan Carter, 'Eve's apple to the Last Supper' by C F Kaufmann and 'In the Beauty of Holiness by David Lyle Jeffrey; Bill Danaher reviews 'Beauty's Vineyard' by Kimberly Vrudny.
Features
Lucy Kent on Barbara Hepworth’s Construction (Crucifixion) and its return to Salisbury Cathedral
Polemic
James Hall at the Royal Academy on Michelangelo’s Taddei Tondo
Exhibition reviews
Jonathan Black on Aftermath at Tate Britain, Ann Plogsterth on Heavenly Bodies at The Met, Sheona Beaumont on Tacita Dean’s trilogy of Still Life, Portrait and Landscape, Martin Warner on Antony Gormley at Kettle’s Yard and Catherine Taylor on Nathan Coley in Norwich.
Theatre review
Rachel Huckstep on Red
Book reviews
Louise Campbell reviews 'Keith New' by Diana Coulter and Robert Smith; Kenneth Powell reviews 'Free Seats for All by Gill Hedley; Vivien Northcote reviews 'What did Jesus Look Like?' by Joan Carter, 'Eve's apple to the Last Supper' by C F Kaufmann and 'In the Beauty of Holiness by David Lyle Jeffrey; Bill Danaher reviews 'Beauty's Vineyard' by Kimberly Vrudny.
