The murals at St Michael and All Angels were among the first works to be created by Hayward after he established himself as a freelance artist in 1961. Their blues, greens and golds were to become characteristic of Hayward’s stained glass for which he became famous in later years. The murals use the marouflage technique: the images are painted in the artist’s studio and then cut out and glued to the wall of the church. Each was designed specifically for the space it was to occupy. When they were installed in 1962, they were said to be the largest modern set of murals anywhere in the world.

Mural covering the walls of St Benet’s Chaplaincy, Queen Mary, University of London.

Adam Kossowski (1905-1986, Polish) was a Polish refugee who quickly made a career in public works of figurative art in Britain.

Hanging Pyx was finished and installed in 2011. It is constructed from fabricated Gilding Metal and nickel plated hot forged copper. The whole piece is 96 cm high and hangs 5 feet above the altar in the Lady Chapel at Holy Trinity. It works on a rise and fall mechanism located 8 metres up in the eaves of the roof, utilising 50 metres of 1.5 mm diameter stainless steel cabling.

Wagner's major work, Menorah, Depicts the crucifixion in front of the Didcot power station. Menorah was acquired by the Ashmolean Museum in 2010 and hangs in St Giles Church Oxford.

Intensely theological it addressed big issues of the day and asked questions of us about meaning, life, death and what we would give our lives for.

The large onyx disc was installed as a gift on the north west lawn in the Close of Salisbury Cathedral but has since been transported elsewhere. It is made of one billion year old, semi translucent onyx and is around two metres tall.

Light of the World is vast stained glass window, fully architecturally integrated in the Chapel of Robinson College, Cambridge.

Cocteau completed the murals between the 3rd and 11th November 1959. The theme he chose to depict was the Annunciation, the Crucifixion and the Assumption. It is said that he spoke out loud to the characters as he was drawing them. While painting the virgin he is quoted as saying, ““O you, most beautiful of women, loveliest of God’s creatures, you were the best loved.

Reconciliation Reredos is a contemporary artwork of universal reconciliation, that responds to the church’s past, reflects the voices of the city today, while representing the potential of the future.

Made from silver and plated with gold, this abstract work represents a phoenix rising from the ashes.

Still Point is a meditative spatial work incorporated into the cathedral grounds. It has three associated parts: a stone element, a poem and a song.

The artists own feminine handwriting - a rare element of Christian iconography - reads 'I Felt You And I Knew You Loved Me'.

Barbara Hepworth’s Madonna and Child was carved in memory of her son Paul who died in an RAF plane crash over Thailand in 1953.

Frank Roper's candlesticks and crucifix are a two-tiered furnishing set upon a hexagonal base. The use of geometric shapes is again referenced in the lower tier through the use of the octagon. However, the smaller scale of this tier in comparison to the base may contribute to an emphasis of height. The upper tier is circular and performs as the base for the actual candle fixture and is stabilized by three intricate buttresses.

Rona Smith’s North Window panel is constructed from a web of whirling squares suspended in the window alcove. The squares spiral out from a central 'eye' whilst the panel itself curves into the space forming a sculptural arc which echoes the two dimensional pattern.