‘Antony Gormley’s Transport in Canterbury is a large and striking human figure, created from iron nails formerly in the roof of the Cathedral. It is suspended three metres above the floor of the site of the first burial place of St Thomas Becket in the Eastern Crypt. [...] This is a beautifully made and very clever piece of work which impresses by its technical accomplishment’ (The Very Revd Nicholas Frayling, Chair of the judging panel for the ACE Award for Art in a Religious Context, 2011).

Ceri Richard's reredos and stained glass were conceived as a single triptych, abstractly flowing one into another. The tabernacle has more obvious imagery: the heavens, the chalice and the cross.

Behind the altar table in Holy Trinity Church in Blythburgh, Suffolk, is a powerful altarpiece by Laurence Edwards. Cast in bronze from the mud, wood and hogweed that can be found all around the Suffolk locality, Edward’s sculpture brings the precise beauty of the outside marsh into the church in a way that combines imagination, emotion and spirit.

This striking sculpture gives a dynamic focus to the church which takes a simple tent-like form. Behind the austere altar table the outstretched arms of the reflected figure invoke a well-proportioned ellipsis on the east wall. 

Hanging Pyx was finished and installed in 2011. It is constructed from fabricated Gilding Metal and nickel plated hot forged copper. The whole piece is 96 cm high and hangs 5 feet above the altar in the Lady Chapel at Holy Trinity. It works on a rise and fall mechanism located 8 metres up in the eaves of the roof, utilising 50 metres of 1.5 mm diameter stainless steel cabling.

Made from silver and plated with gold, this abstract work represents a phoenix rising from the ashes.

Frank Roper's candlesticks and crucifix are a two-tiered furnishing set upon a hexagonal base. The use of geometric shapes is again referenced in the lower tier through the use of the octagon. However, the smaller scale of this tier in comparison to the base may contribute to an emphasis of height. The upper tier is circular and performs as the base for the actual candle fixture and is stabilized by three intricate buttresses.