In 2014, Ripon Cathedral acquired an installation acknowledging the Great War. ‘A Tribute to Wilfred Owen’ by Charles Gurrey is set on the wall above the altar in the chapel of Peace and Justice at the west end of the north aisle of the nave in the position of a reredos.

Known for his many commissions included murals for the Festival of Britain in 1951 and Manchester Cathedral in 1963, Carel Weight was strongly guided by the specific locations of his paintings.

In 2015, Leslie Smith, the then Chairman of the Friends of Godmersham Church, approached the stained glass artist and conservationist Léonie Seliger with an idea to create new glass work for the church in memory of his late wife, Sue. The two windows at the apsidal east end of the largely unadorned North Chapel were chosen. The PCC soon approved the designs, which are a gentle celebration of nature and which recall the pattern made by exposed stones and their dark mortar joints fixed into the limestone arch above. 

Painted in 1961 for the Church of the same name, Mary is depicted as the strong Mother of Mankind. The child, sleeping peacefully on her arm, represents humanity undisturbed by the chaos of the world, shown in the blazing explosion of the background.

Two windows installed in the Gibbs nave of the Cathedral. All Saints is the East window of South aisle and All Souls the east window of the north aisle.

This new, modern church was a collaboration between the architects Greenhill Jenner and Portal Architecture commissioned to replace the original church destroyed by fire in the 1970s.

Following a major refurbishment in 2010 it was apparent the reconfigured space lacked visual cohesion. Monsignor Curry wished to commission suitably qualified artist-designers to produce a new, unified scheme of furnishings.

This work was shortlisted for the ACE Award for Art in a Religious Context 2015.